Reserved on the surface, restless underneath. In a room I'm usually the quiet one. Inside, I'm arguing with myself — measured on the outside, unreserved and unafraid to be wrong within. This place is where that private argument finally lands: only what survives the questioning shows up here.
One questioning mind, many subjects.
The things I keep turning over don't sit in a single lane — art, work, family and the people close to me, the world and its politics, and human nature. What ties them together is a habit I can't put down: questioning how things are seen, and how they might be seen differently, from a human point of view.
I help people make sense of complexity.
For most of a long career — trained first as an engineer, then most of it on the commercial side — I've worked at the seam between technology and the people who have to live with it. Today I lead Global Offering, MSP, Channel & Alliances at Nexthink, working with partners around the world on digital employee experience. The through-line has stayed the same: taking something tangled and making it legible, and human.
I paint, and I write.
When I paint, a living being is almost always at the centre — a boy and his bull, a sadhu, a sleeping figure — held tenderly, in charcoal, acrylic and watercolour, rooted in Tamil life and spirit. When I write, it's essays and field notes on digital work, on thinking, on the human grain running through all of it. Two hands doing the same thing, really: paying close attention.